Pt. Kaivalyakumar Gurav presents Hindustani classical recital.

Kaivalyakumar performing in festival.

A great singer of Khayal, Pt. Kaivalyakumar also renders Marathi Natya Sangeet and Abhang, Bhajans, Kannada Vachana and Dasara Pada with equal finesse and all of this has won him the acclaim of listeners and critics alike, all over India and abroad. About program: Pt. Kaivalyakumar has enthralled audiences in United States, United Kingdom, France, Canada, Dubai, Muscat and Qatar. Noted music companies have been more than eager to release CDs and albums of his music.
   About Pt. Kaivalyakumar Gurav View profile
Pt. Kaivalyakumar is a leading exponent of Kirana Gharana with a rich multigenerational lineage. His grandfather Pt. Ganapatrao Gurav was a first batch disciple of Ustad Abdul Karim Khan, founder of Kirana Gharana. He was trained by his father Pt. Sangmeshwar Gurav. Owing to his strong roots, Pt. Kaivalyakumar is a treasure house of extraordinary compositions (bandish). Born on 22nd October, Pt. Kaivayakumar hails from Dharwad, Karnataka and has received various recognitions like ‘Raza foundation award’, ‘Surmani’ and ‘Pandit Jasraj Gaurav Puraskar’. He has several albums to his credit. Pt. Kaivalyakumar is a Gold Medallist of M.A. Music from Karnataka University. He took to music quite early, which was pretty natural considering his rich musical heritage. Endowed with a melodious, fluid and high pitched voice, Pt. Kaivalyakumar has enthralled the audiences in his various stage performances in India and abroad. His rendition of Raagas is marked by natural phirat, murki, rigorous tans, infallible rhythm, imaginative content and aesthetic approach to raagas. He is the youngest Hindustani Classical vocalist to get a top grade by 'All India Radio' (India’s national radio channel) and 'Doordarshan' (India’s national television channel). 

   See also
Barnali's presentation of Khayal and Thumri bears the essentials of Banaras and Gwaliar gharanas. But it is the assimilation of various gharanas which actually bears the chief characteristics of her taleem during her stay at Banaras.

It is not only Thumri & Khayal, such forms as "Chaiti", "Kajri", " Hori" & "Bhajan" which marks her spirit of music. She justly finds emotional upliftment through the presentation & persuation of such forms of music. The same spirit of music made her to transgrace the forms of Bengali Raga pradhan songs and Najrulgiti.
Chaiti, Kajri, Hori by Barnali Datta Acharya
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