Steve Gorn is creating a new idiom, a music that combines the essence of classical Indian tradition with a contemporary world music sensibility. The strength of this music is grounded in a virtuoso mastery, generating a vibrant fusion, alive and accessible to western ears. From Indian classical music to world music and jazz projects with Paul Simon, Jack DeJohnette, Paul Winter and others, Steve infuses great mastery with a haunting, lyrical sweetness to bring the healing breath of the sacred to our demanding contemporary lives.
Steve’s first steps on this path were taken as a young jazz musician studying composition at Penn State. He noticed how John Coltrane and Charles Lloyd had begun to incorporate aspects of Indian music into their playing. He investigated modal music and listened to Bismallah Khan who played the shenai, (Indian oboe), and to Ravi Shankar and Ali Akbar Khan who were then only beginning to become known to Western audiences. Drawn by these sounds, he followed the music east and found himself in Benares, India in 1969, in a boat on the Ganges with the famous sarangi master, Gopal Misra, listening to his classical raga float out over the water in the evening light.
In Benares, Steve studied shenai with a local teacher and then traveled to Calcutta where he was invited to meet the Bengali bansuri master Sri Gour Goswami.
eturning to the U.S. he continued his study of Indian music with Pandit Raghunath Seth, and brought his elegant bansuri sound to American pop music, influencing a wide range of musicians, recording with Paul Simon, Richie Havens, Paul Winter, Jack DeJohnette, Glen Velez, and many others. Deepak Chopra, Krishna Das, Coleman Barks, Jai Uttal, Jerome Robbins, and Julie Taymor are among those who have sought out his virtuoso bamboo flute. He has composed for film, television, dance and theatre, and performed in concerts and festivals throughout the world, drawing from classical Indian, jazz and world music to create a distinctive signature sound.