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Raga Maru Bihag

   About Raga Maru Bihag

Raga Maru Bihag 

Raga Maru Bihag is a very melodious raga. While singing M G R S, Rishabh should be sung as a meend starting from Sa. Maru Bihag is a complex layered raga, one which appeals emotionally due to some key  passages overlaid on a base structure.

Maru Bihag has two base ragas:

Raga Bihag on the way up: Aaroh (ascending): Bilawal Ang

Raga Yaman (Kalyan) on the way down (descending): Kalyan Ang

Maru Bihag can show shades of ragas like Bihag and Nand. Unlike in Bihag, Re is emphasized in Maru Bihag. Also, the sharp Ma is emphasized in Maru Bihag and phrases like G M GR-S and M G M G R S help keep it distinct from other raga. Raga Maru Bihag was a popular raga, which is used in light classical music, Thumris, in particular. 

Pt Rajan Sajan Mishra opinion that Maru Bihag is the product of an ancient raga Maru (which is still performed in the Dhrupad tradition) and Bihag. A raga by the name of Maru also is found in the Sikh religious literature of the Guru Granth Sahib.

In raga Darshan, the author Manikbuwa Thakurdas speaks of an older raga Maru as its progenitor.  Be that as it may, the MaruBihag in currency is widely acknowledged to be a product of Atrauli-Jaipur founder Alladiya Khan‘s prodigious imagination. 

A shloka of raga Maru Bihag is 'Vikrut Madhyam Shudha swar gawat Raga Maru Bihag,
                                                  Gani Samvad, Pratham Ratri Manat Kalyan Thaat'

The shloka means that raga Maru Bihag is a delightful night melody. This raga originates from Kalyan Thaat and it’s a blend of raga Kalyan and raga Bihag and hence this raga is named as raga Maru Bihag. It is sung between 9PM to 12AM or the second part of the night.

Raga Maru Bihag, is more cheerful and frisky. Ideally, this raga is taken as a romantic or exotic one. It’s a Shringara raga more within the panorama of beloveds or their charm.




Credits:
https://www.parrikar.org/
https://sarod.com.au/
http://www.tanarang.com/

   Raga structure Maru Bihag

Thaat : Kalyan

Jati : Audhav-Sampurna

Aroh : S G M P N S'

Avaroh : S' N D P M G M G R S

Vadi : P

Samvadi : S

Vishranti Sthan : G P N - S' D P G R

Mukhya Ang : M G ; M G R S ; S ,N S ; m G P ; M G M G R S 

Swaras : Rishabh and Dhaivat Varjya in Aaroh, Madhyam Teevra (with rare use of Madhyam Shuddha), Rest all Shuddha Swaras.

Time : 2nd prahar of the night (9PM to 12AM)

   External Videos of Raga Maru Bihag

   Songs based on Raga Maru Bihag

Songs in Raga Maru Bihag

1) Matawali Naar Thumak Thumak - Film - Ek Phool Chaar Kaante

2) Payalwali Dekhna - Film - Ek Raaz

3) Radha Jaye Na (AKA Jamuna Kinare) - Film - Mehbooba

4) Tum To Pyar Ho Sajna - Film - Sehraa

5) Lat uljhi suljha ja Balam - Film - Pooja

6) Ab aage teri marzi - Film - Devdas

7) Oo Raamji bada dukh deena - Film - Ram Lakhan - Mix raga 

8)Dil Jo Na Kahe Saka - Film - Bheegee Raat - Mix raga

9) Ka dharila pardes (Marathi)

10) Keliche sukale bag (Marathi)

11) Tujsathi Shankara bhillin me (Marathi)

12) Tuzya varadana jeev (Marathi)

13) Palavili Ravane Seeta (Marathi)


Compostions 

1)Sawani Jhula by  Shubha Mudgal 

2) More balma ajhu na aa yen, Mohe un bin kachu na suhaye by Pt Channulal Mishra of Benaras Gharana

3) Bhimsen Joshi weighs in his version of rasiya ho na. Notice the maverick phrase involving shuddha madhyam as he launches the antara with mana chinta. The druta cheez is the well-known tarapata raina dina.

4) Ramashreya Jha 'Ramrang' has composed marvelously in MaruBihag following compositions: 

A) Aaja re badhava baje Avadha nagara mein
B) Kunwara chari byahi ghara aaye
C) Ananda 'Ramrang' dagara dagara mein

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