Raga Khamaj

   About Raga Khamaj

Raga Khamaj 

Khamaj is  a Hindustani classical music raga within the Khamaj thaat which is named after it. Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance. This raga has been explored more in the lighter forms of Hindustani Classical Music such as Thumri, Tappa etc. Yet a many compositions in Dhrupad and Khayal are found as well.

This Raag is an ideal melodic format for both type of Shringars, Vibralambh (Separation) and Uttan (Union) Shringar. For this reason, there are more Thumri compositions in this Raag. The mood is light and enthralling but not sedate. With a husky voice that emits the emotion of painful separation and with Khatkas and Murkiyan, the Raag mood is well brought out, decorated with diverse Thumri styles of Panjab, Lucknow and Banaras Gharanas. 

Raga Khamaj is a late evening raga and is brought out rather elegantly in the light classical form of thumri. It has been a popular choice for film music as well. The romantic nature of the raga is brought out by this delightful composition of Salil Chowdhury O Sajna Barkha Bahar Aayi. 'Kuch To Log Lahenge' and 'Nazar Lagi Raja Tore Bungal Par', are two well known examples of common songs in this rag.  There are many other popular film songs in Khammaj as well.

This rag is one of the most common in Indian music.  Although it is used in the classical styles, its romantic character makes it much more appropriate to the semi-classical and lighter styles.  It is traditionally ascribed to the second part of the night.

Raga Khammaj has a clear musical structure.  It is a shadav-sampurna raga due to the omission of the Re in the aroha.  Even in the avaroha, the Re is durbal (weak).  The vadi is Ga and the samvadi is Ni.  Undoubtedly its method of using Nishad is one of its most defining characteristics; it is shuddha (i.e., natural 7th) in the aroha but it is komal (i.e., minor 7th) in the avaroha.


   Raga structure of Khamaj

Thaat : Khamaj

Type : Shadava-sampurna

Arohana : S G M P D N S'

Avarohana : S' N_ D P M G R S

Pakad : N_ D M P D M G

Vadi : G

Samavadi : N

Time : Second Prahar of the Night: Ratri ka Dwitiya Prahar (9 PM to 12 AM)

Synonym : Kamboja, Kambhoji, Kambodi, Kamodi

Equivalent : Harikambhoji, Mixolydian mode

Similar : Desh, Khambavati, the Carnatic music equivalent of the Khamaj Thaat is Harikambhoji, the 28th Melakarta raga.

   External Videos of Raga Khamaj

   Songs based on Raga Khamaj

Film Songs in Raga Khamaj

1 Jao re jogi tum jao re
2 Diwana mastana hua dil
3 Bada natkhat he re
4 Ayo kahanse ghanashyam
5 Piya to se naina lage re
6 O Sajna barkha bahar aaye
7 Khat likha de savayiya
8 Najar lagi raja
9 Kuch toh log kahenge
10 Mere to giridharagopala
11 Dhal chuki shyam
12 Aa dil se dil mila le
13 Tere mere milan ki ye raina
14 Nazar Lagi Raja Tore Bungal Par

The Narsinh Bhajan 'Vaishnav jan to' is also based on Khamaj.



Contact no:


   Learn Raga Khamaj


Possessing an art is possessing a treasure that grows forever! Learning a performing art like music or dance opens doors to novel and wonderful worlds of joy. You can bring this unbounded happiness into your life – you can learn an art at any age. To make a beginning today, enroll in the online school of performing arts : Meetkalakar Gurukul.

About Meetkalakar

Meetkalakar is an Indian product and services company based in Mumbai. Its interests are focussed on the field of performing arts. The various products and services of Meetkalakar mainly benefit performing artists and art lovers.

Meetkalakar was founded in 2009 by Rajashree Rajadhyax and Richa Rajadhyax, with the primary aim of allowing people to browse through profiles of performing artists on the internet. Over years, many new products and services were added. Meetkalakar now has about 2500 eminent artists from the field of music, dance, drama, folk and many other genres as its members.

Meetkalakar founders have expressed their intention of coming up with more and more innovations that will reduce the distance between the artist and art lovers. Know more...

©2010-2013, Meetkalakar Services India Private Limited.
All Rights Reserved. | Privacy Policy | Legal Disclaimer

Recent Updates

  • Apeksha Niranjan
    Apeksha Niranjan's Poland Spring Tour 2024  13th April 2024 Tamil year celebration Venue : OSIR Polna, Warsaw At : 11:30. 19th April 2024 Wieczór nad Warta; Wieczór nad Gangesem Theme : The confluence of Bharatnatyam and Polish folk music Venue : sinegog Konin Time : 19:00 .21st April 2024 Venue : Pan Gar, Poznan .Time : 19:00. 26, 27, 28 April 2024 The world of Indian Performing Arts Festival Workshop, lectures Demonstration and the Recital would be on 28th April.  7th May 2024 Z...
  • Kalamandalam Sheeba Krishnakumar
    Dr. Kalamandalam Sheeba Krishnakumar is a prominent figure in the world of Indian classical dance, renowned as a versatile artist, performer, choreographer, teacher, and accomplished author. Her journey in the realm of arts began at a tender age when she was initiated into the enchanting world of dance at Kerala Kalamandalam. With unwavering dedication to her craft, she progressed from her early days in the 8th standard to obtaining a Graduation in Performing Arts. Fueled by passion, she pursued...
  • Bhavik Rathod
    Coming with new ghazal concert with new concept. Stay connected.
  • Lalit Mishra
Please note: All Content (Unless produced by Meetkalakar) names and brand names mentioned are property of their respective owners. They have been published by content owners. All of this content remains property of their respective holders, and in no way indicates any relationship between Meetkalakar and the holders of said trademarks. Meetkalakar is a technology platform that enables artists reach out their audiences.


Contact No