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Raga Hemant

   About Raga Hemant

Raga Hemant 

Raag Hemant is a very melodious Raag. In Raag Kaushik - Dhwani when Pancham and Rishabh are used in Avroh, Raag Hemant is conceived. In this Raag, Rishabh is used as a straight note like G R S whereas use of Pancham is somewhat Alp and is used either in Meend or as a Kan-Swar like D (P)m or m (P)m.

Hemant (winter) is embedded in Sarangdeva’s shloka on Bhinna Shadaj: 'Having Brahma for its presiding deity, it is sung on the occasions of universal festivity in the first quarter of the day in winter (Hemant) to express terror (bhayanaka) and disgust (bibhatsa)'.

This Raag creates a deep and soothing atmosphere which may be easily expandable in all the octaves.

The basic idea in Hemant is the positioning of pancham and rishab in the downward locus of Bhinna Shadaj. The swara-lagav of pancham is measured, and occasions great delight if done right. Hemant is a madhyam-pradhana raga and a little thought shows that a murchhana on madhyam gives rise to an avirbhava (onset, appearance) of Raga MaruBihag.

Raga Hemant has generally been performed in evening concerts, after sunset. 

Credits: 

https://www.parrikar.org/, https://www.tanarang.com/

   Structure Raga Hemant

Thaat : Bilawal

Jati : Audhav - Sampurna

Vadi : Madhyam

Samvadi : Shadj

Aaroh : S G m D N S'

Avroh : S' N D P m G R S

Vishranti Sthan : S; G; m; D; N;

Pakad : G m D N D ; m (P)m ; N D (P)m ; G m G R S ; G m D P m G R S

Swaras : Rishabh and Pancham Varjya in Aaroh. Rest all Shuddha Swaras.

Time : Second prahar of the night (9PM to 12Night)

   External Videos of Raga Hemant

   Songs based on Raga Hemant

Marathi and Hindi songs in Raga Hemant 

1) Tum Bin Jeevan Kaise Jeevan, Phul Khile to Dil Murajhaaye - Film - Bawarchi

2) Rooth Ke Tum To Chal Diye

3) Balma Anadi Man Bhaye - Film - Bahurani

4) Sudh Bisar Gai Aja - Film - Sangeet Samrat Tansen

5) Ud ja re kaga - Meera Bhajan

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