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Hatakambari Ragam

   About Hatakambari Ragam

Hatakambari Ragam

Hatakambari is a ragam in Carnatic music. It is the 18th Melakarta ragam in the 72 melakarta ragam system of Carnatic music.

It is called Jayashuddhamalavi in Muthuswami Dikshitar school of Carnatic music.

Credits: 
https://en.wikipedia.org/wiki

   Raga structure of Hatakambari

Hatakambari scale with Shadjam at C
It is the 6th ragam in the 3rd chakra Agni. The mnemonic name is Agni-Sha. The mnemonic phrase is sa ra gu ma pa dhu nu.Its arohana-avarohana structure is as follows:

Arohana : S R1 G3 M1 P D3 N3 S'
Avarohana : S' N3 D3 P M1 G3 R1 S

The notes used in this scale are shuddha rishabham, antara gandharam, shuddha madhyamam, shatsruthi dhaivatham, kakali nishadham.

As it is a melakarta ragam, by definition it is a sampoorna ragam. It is the shuddha madhyamam equivalent of Vishwambari, which is the 54th melakarta.

Asampurna Melakarta

Jayashuddhamalavi is the 18th Melakarta in the original list compiled by Venkatamakhin. The notes used in the scale are the same, but the scales are different. It is an shadava-sampurna raga (6 notes in ascending scale, while full 7 are used in descending scale in zig-zag manner, vakra prayoga).[1]

Arohana: S R1 G3 M1 P N3 S'
Avarohana: S' N3 D3 N3 P M1 G3 R1 S

Janya ragams

Hatakambari has a few minor janya ragams (derived scales) associated with it. See List of janya ragams to view all ragams associated with Hatakambari.

1) Hatakambari
S R1 G3 M1 P D3 N3 S'
S' N3 D3 P M1 G3 R1 S

2) Jayashuddhamalavi
S R1 G3 M1 P N3 S'
S' N3 D3 P M1 G3 R1 S

3) Hamsanantini
S G3 M1 P S'
S' P M1 G3 R1 S

4) Kallola
S P D3 N3 S'
S' N3 D3 P M1 G3 R1 S

5) Simhala
S R1 G3 M1 P D3 N3 S'
S' N3 D3 N3 P M1 G3 R1 S


   External Videos of Hatakambari Ragam

   Compositions in Raga Hatakambari

1) Naraharim by Muthuswami Dikshitar
2) Alalagada by Koteeswara Iyer
3) RakshAsumam srÎ lakshmÎ Pathe by Dr. M. Balamuralikrishna.


   Related Ragas of Hatakambari

Hatakambari's notes when shifted using Graha bhedam, yields one other minor melakarta ragams, namely, Gavambhodi. Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to the next note in the ragam. 

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